I have severally confessed my love for the South African literature. I fell in love with it early in life while gobbling up narratives of heroic travails of liberation struggle fighters, represented in the works of Mazisi Kunene, Ezekiel Mphalele, Peter Abrahams, Alf Wannenburg, Alan Paton, Alex La Guma and many others. I must have read La Guma’s A Walk In The Night and virtually all his works innumerable times. Of the lot, one South African author whose works equally spellbound me is Can Themba, perhaps because of the self-inflicted tragedy of his early passage.
- +The president’s psychologically punishing jokes, By Festus Adedayo
This morning, as I drew my laptop close, I asked AI how frequently “Festus Adedayo” had cited Themba’s works in his column.
This morning, as I drew my laptop close, I asked AI how frequently “Festus Adedayo” had cited Themba’s works in his column. Its reply was: “Festus Adedayo… has frequently referenced Can Themba’s famous short story to illustrate political and social issues in Nigeria. He uses the story’s themes of betrayal, cruel punishment, and psychological torment to analyze Nigerian leadership, corruption, and societal behavior. ” Indeed, in my piece of 8 September, 2019 with the title, What Soured South Africa’s Umqombothi, I said “If the number of times citations are made of a dead artist’s work approximates the invocation of the spirits of the dead, my frequent intrusion into Themba’s graveyard, especially in citing his short story, The Dube Train, should have worn his spirit out by now.”
So, when I watched viral videos of the duo of the Nigerian president (twice last week), and the senate president, engage in broadsides against perceived enemies of their government and political party, Themba hopped up my mind like a malevolent viper. Real name Daniel Canodoce, he was popularly known as Can Themba. Can was a young Marabastad-born writer, a drunk of renown, literary prodigy and journalist. He was one of the Drum magazine collectives of the 1950s. Alongside another kindred spirit named Nat Nakasa, they were two South African writers who blended journalism with creative writing. Can and Nakasa were also part of the young black writers of the Apartheid era who lived by the weird dictum, “Live fast, die young and have a good-looking corpse.” Can died on 8 September, 1967, aged 43, official cause of death being coronary thrombosis, but widely attributed to a combination of heavy alcohol abuse and profound despair.
Indeed, as self-predicted, Can and Nakasa both died young. Nakasa, born 12 May, 1937 died on 14 July, 1965, aged 28. By 1965, he had completed his Nieman Fellowship in the US and was living in Harlem, New York. Brilliant writer and a friend to Nadine Gordimer, he was planning to write a biography of Miriam Makeba. Two days after the proposal, however, Nakasa confessed to a friend that, “I can’t laugh any more and when I can’t laugh, I can’t write.” He sunk into a life of drinking, became depressed and confessed to his friend, Gordimer, that he was afraid he had inherited his mother’s mental illness. Nakasa was shortly found dead by suicide, having jumped from his friend’s seventh-storey apartment.
The more I read Can’s The Suit, the more I think the Nigerian president, Bola Tinubu, is a direct lift of its lead character, Philemon. I seem to think that, recently, he manifests the trauma from what I call the Philemon Wound. The plot of The Suit revolves round the life of Philemon, a middle-class South African lawyer. He has an adulterous wife called Matilda and both of them live in Sophiatown. Devoted as Philemon is to Matilda, the latter is fond of turning his home into a tryst immediately he leaves for office. On this particular day, Philemon is told of the escapade of his wife again. Rather than his wont of leaving for home late in the evening, Philemon sneaks home in the middle of the day. As lawyers say, he caught his wife in flagrante with the lover. In the melee that ensued, the lover scampers out of the window but forgets his suit jacket.
To effectively deal with the adulterous Matilda, Philemon then concocts a strange and bizarre punishment for her. It became a routine meted out on Matilda. She has to behave to the suit which he permanently hangs on the shelf as a honoured guest. This involves treating it with utmost respect, feeding it, providing ample entertainment for the suit and taking a walk with it, while discussing with it as an animate object. In conceptualizing the punishment, Philemon reckons that this treatment would serve as a bitter and constant reminder to Matilda about her adultery. Remorseful, psychologically beaten and humiliated, Matilda eventually dies of shame.
My deep reflection on The Suit tells me that Nigerians are Matilda; Bola Tinubu, Godswill Akpabio and their APC are Philemon. The intense psychological torment this tripod has been inflicting on Nigeria must be a result of an unpardonable adultery we committed. While reviewing my previous pieces, using the Themba short story under discourse as mugshot, AI said I used the story as a metaphor, “to compare the cruel punishment Philemon inflicts on his wife to the way… Nigerian leaders treat their citizens” and that I “highlight how Nigerians are forcefully made to live with the ‘suit’ of bad governance.”
At the commissioning of the Nigeria Revenue Service (NRS’) new corporate headquarters in Abuja on April 14, the Philemon spirit first pounced on the senate president, the loquacious Godswill Akpabio, and then the president. Nigeria, whose parliament Akpabio presides over, is unprecedentedly faced with, in the words of the International Crisis Group (ICG), “a severe, multifaceted security crisis in 2026”. This, ICG says, “is characterized by widespread banditry, mass kidnappings, and jihadist terrorism that have displaced over two million people.” Boko Haram and ISWAP stroll to the Northeast to gorge out blood at will, while rampant banditry in the Northwest/North-Central is as frequent as a diabetic strolls to the loo for a pee. Mass abduction of schoolchildren and worshipers have alarmingly spiked in 2025 and 2026 with hundreds of Nigerians currently in captivity. Says ICG, under this government, “rising violence (is) now spreading to previously stable areas”.
Since 2016, this government parades one of the hugest casualties of terrorism. Out of the hundreds of soldiers killed by terrorists, several high-ranking officers, which include at least four to five Brigadier Generals and several Colonels, the Tinubu government brandishes the highest fatalities. A few days ago, Brigadier General Oseni Omoh Braimah was killed in a coordinated attack by Boko Haram/ISWAP on a military base in Benisheikh, Borno State. Not long after, the Commanding Officer of the 242 Battalion, Monguno, Borno State, Col. I.A. Mohammed and six soldiers were also killed by an Improvised Explosive Device (IED) reportedly planted by insurgents. In November last year, Brigadier General Musa Uba was killed by ISWAP fighters near Wajiroko in same Borno State.
